Favourite Poems |
Haiku | |||
A Heifer Clambers Up | — Gary Snyder | Rolling In | — Gary Snyder |
Robin 1 2 3 4 | — Gary Snyder | After Work | — Gary Snyder |
Black Hair | — Afghan of Muhammadji | Crossing the Bar | — Lord Tennyson |
Black Marigolds | — quoted in Steinbeck | Black Marigolds, Full | — Chaura-panchasika |
The Cherry Tree | — A.E. Housman | Twa Corbies | — Popular |
To His Coy Mistress | — Andrew Marvell | 'Daffodils' | — William Wordsworth |
Distich | — Oumara | Japanese drink song | — Street song |
The Eagle | — Lord Tennyson | The Fisherman | — Li Po |
I heard a fly buzz | — Emily Dickinson | Ghazal | — Isch |
Amazing Grace | — Traditional | Hammer and a Nail | — Emily Saliers (lyric) |
your slightest look... | — E.E. Cummings (film) | your slightest look... | — E.E. Cummings (full) |
Julia | — Robert Herrick | London | — William Blake |
A certain slant of light | — Emily Dickinson | The Tyger | — William Blake |
Values | — from the Arabic | Vengeance | — Caucases ballad |
The Willow-Leaf | — Chang Chiu Ling | A Girl's Yearning | — Li Yu |
on Westminster Bridge | — William Wordsworth | Song | — Christina Rossetti |
Uphill | — Christina Rossetti | A Thing Remembered | — ? from the Arabic |
I Asked A Thief | — William Blake | The Sick Rose | — William Blake |
The Negro Speaks of Rivers | — Langston Hughes | Song of the Pines | — Po Chu-I |
The Poison Tree | — William Blake | Ripe Plums Are Falling | — Book of Songs |
Shade of the Orange Leaves | — Tin-Tun-Ling | In a Station of the Metro | — Ezra Pound |
may i feel said he | — E.E. Cummings | The Red Wheelbarrow | — William Carlos Williams |
Moon Song | — Mildred P. Meigs | The Raggedy Man | — James W. Riley |
The Swing | — R. L. Stevenson | Harlem | — Langston Hughes |
Jamaican Farewell | — Traditional | Paramitas | — Zen |
To A Poor Old Woman | — William Carlos Williams | A Red, Red Rose | — Robert Burns |
To Lady Mori | — Ikkyu | Nature's Way | — Ikkyu |
By the Winding River I | — Tu Fu | New Moon | — Tu Fu |
Country Cottage | — Tu Fu | Sunset | — Tu Fu |
Ode to Ironing | — Pablo Neruda | Water | — Pablo Neruda |
Love Sonnet XII | — Pablo Neruda | The Panther | — Rainer Maria Rilke |
In the Palace | — Tu Sin Yu | Submission | — from the Siamese |
Proposal of Marriage | — Song of Kafiristan | Some Beasts | — Pablo Neruda |
The Planned Child | — Sharon Olds | Tao Te Ching | — tr. Ray Grigg |
The White Pony | — Book of Songs | Lament in Good Weather | — Lucia Perillo |
Mercutio dreams | — Shakespeare | Take the I Out | — Sharon Olds |
Tso Banquet | — Tu Fu | Love Song of Tibet | — tr. Powys Mathers |
Pour Us Wine | — Ibn Kolthum | Peace of Wild Things | — Wendell Berry |
Garden of Bright Waters | — E. Powys Mathers | Abla | — E. Powys Mathers |
Custard the Dragon | — Ogden Nash | I can no longer take my life for granted | — Hillary North |
Lesbia Railing | — Catullus/Swift | In January | — Ted Kooser |
Selecting a Reader | — Ted Kooser | Flying at Night | — Ted Kooser |
A Birthday Poem | — Ted Kooser | My Husband's Back | — Susan Minot |
The Cylons | — Battlestar Galactica | Loafing | — Raymond Carver |
Hoeing | — John Updike | Sunday Morning, Late August | — Deborah Cummins |
My Mind's Eye Opens Before The Light Gets Up | — Deborah Cummins | Passage | — Deborah Cummins |
Creed | — Meg Kearney | The Trouble with Creation | — Meg Kearney |
Little Sisters | — Sonia Gernes | Anger | — C.K. Williams |
Unforeseen | — Reid Bush | Alcatraz | — Sharon Olds |
Please Fire Me | — Deborah Garrison | The Poet | — Jane Hirshfield |
The Faces of Children | — Elizabeth Spires | Westron wind, when wilt thou blow | — Anonymous |
Days | — Philip Larkin | Jenny Kiss'd Me | — Leigh Hunt |
Juliet | — Hilaire Belloc | A Thunderstorm in Town | — Thomas Hardy |
To the Virgins, to Make Much of Time | — Robert Herrick | Chop-Cherry | — Robert Herrick |
Picture in a Frame | — Tom Waits | Betty's Diner | — Carrie Newcomer |
Getting By | — Gary L. Lark | Self-Exam | — Sharon Olds |
I Close My Eyes | — David Ignatow | The Museum of Stones | — Carolyn Forch |
I Love The Way Men Crack | — Ellen Bass | Testament | — Hayden Carruth |
Life On Earth... | — David Keplinger | Coats | — Jane Kenyon |
Day Bath | — Debra Spencer | Upon Seeing an Ultrasound Photo of an Unborn Child | — Thomas Lux |
Toast | — Susan Deborah King | Gate C22 | — Ellen Bass |
Getting By | — Gary L. Lark | Three Songs at the End of Summer | — Jane Kenyon |
Love's Philosophy | — Percy Bysshe Shelley | Baby Girl Found | — Francette Cerulli |
The Lake Isle of Innisfree | — W. B. Yeats | A Drinking Song | — W. B. Yeats |
The Faces of Children | — Elizabeth Spires | Above Pate Valley | — Gary Snyder |
February | — Margaret Atwood | Echocardiogram | — Suzanne Cleary |
In The Middle of the Road | — Elizabeth Bishop | I Married You | — Linda Pastan |
Things You Didn't Put On Your Resumé | — Joyce Sutphen | Great Cathedrals | — George Bilgere |
In The Middle | — Barbara Crooker | The Rites of Manhood | — The Rites of Manhood |
Grapefruit | — Ted McMahon | Afraid So | — Jeanne Marie Beaumont |
Top Of My Lungs | — Natalie Goldberg | Looking for a Rest Area | — Stephen Dunn |
The Waitresses | — Matt Cook | Marry Me | — Veronica Patterson |
A Primer of the Daily Round | — Howard Nemerov | Vinegar and Oil | — Jane Hirschfield |
Lesson | — Robin Robertson | The Park Drunk | — Robin Robertson |
Dream of the Huntress | — Robin Robertson | Venery | — Robin Robertson |
Artichoke | — Robin Robertson | What the Horses See at Night | — Robin Robertson |
Wedding The Locksmith's Daughter | — Robin Robertson | Ticket | — Meg Kearney |
French Horn | — Jane Hirshfield | The Cherry Tree | — David Wagoner |
Forgotten Fountain | — W.S. Merwin | Rendezvous | — Ted McMahon |
Everybody | — Marie Sheppard Williams | i like my body | — E.E. Cummings |
Baby Wrens' Voices | — Thomas R. Smith | The Most Careless Girl in the Class Had the Most Exquisite Body | — Erica Ehrenberg |
The Accompanist | — Dick Allen | Bushwick: Latex Flat | — D. Nurkse |
Father, Child, Water | — Gary Dop | Ozymandias | — Percy Bysshe Shelley |
Grecian Temples | — George Bilgere | Ground Waters | — Alison Apotheker |
To Daffodils | — Robert Herrick | After a Noisy Night | — Laure-Anne Bosselaar |
Ground Waters | — Alison Apotheker | The Faces of Children | — Elizabeth Spires |
For the Anniversary of My Death | — W.S. Merwin | Ode to The God of Atheists | — Ellen Bass |
When You Return | — Ellen Bass | Complaint | — William Carlos Williams |
the hookers, the madmen and the doomed | — Charles Bukowski | I started Early – Took my Dog | — Emily Dickinson |
Manna | — Joseph Stroud | At the Office Holiday Party | — Cristin O’Keefe Aptowicz |
The Sum of a Man | — Norah Pollard | Waiting | — William Carlos Williams |
Smell | — William Carlos Williams | Missoula in a Dusty Light | — John Haines |
Onions | — William Matthews | Cher | — Dorianne Laux |
Ode to a Large Tuna in the Market | — Pablo Neruda | First Thanksgiving | — Sharon Olds |
The Glass and the Bowl | — Louise Erdrich | Life Cycle of a Helium Balloon | — Amy Baldwin |
Old Bones | — Gary Snyder | Spring is like a perhaps hand | — e.e. cummings |
Goods | — Wendell Berry | In the Late Season | — Tom Hennen |
VII | — Wendell Berry | The Country | — Billy Collins |
Those Winter Sundays | — Robert Hayden | The Rockettes | — John Updike |
Claim | — Kasey Jueds | For Fathers of Girls | — Stephen Dunn |
The Fishermen's Farewell | — Robin Robertson | Leaning In | — Sue Ellen Thompson |
Thaw | — Edward Thomas | Cher | — Dorianne Laux |
At the Very Lengthy Meeting | — Kevin McCaffrey | Directions | — Joseph Stroud |
By the Front Door | — W. S. Merwin | Spring Evening on Blind Mountain | — Louise Erdrich |
a song with no end | — Charles Bukowski | April Rain Song | — Langston Hughes |
Husbands | — Pauletta Hansel | I Have A Time Machine | — Brenda Shaughnessy |
My Life's Stem Was Cut | — Helen Dunmore | — | |
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